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I do feel that this film is a true declaration of love for cinema. The film is much more balanced between the female characters and the male characters. The way of making the film, the way of telling the story, the actors' tone and the way of editing was, you could say, a departure from some of my previous films. Almodóvar told about ¨Abrazos rotos¨ or ¨Broken embraces¨ the following : ¨ I believe it is the most complex script I've ever written and during the writing of this film and also during the shoot, I did find myself in a different place.
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The movie has an autobiographical dimension, but that is indirectly, through the weird characters.
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The picture is narrated by a series of flashbacks to the 1990s containing intense drama, passion, twists, obsession, jealousy, guilt, and surprises. Later on, the disturbing Ernesto sends his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage, then things get awry. In a lot of flashbacks we watch how Mateo, falls in love with Ernesto's mistress, Lena (Penélope Cruz), and casts her in a picture, which Ernesto produces. But the past comes rushing in when Harry to be aware the death of Ernesto Martel (José Luis Gómez), a powerful producer, and Ernesto's son (Ruben Ochandiano) pays Harry a visit. Harry attempts to heal his injures from 14 years back when he had a car accident along with his sweetheart. In Madrid, Harry Caine (Luis Homar) is a blind screenwriter and ex-filmmaker, long time ago was still known by his real name, Mateo Blanco, he is helped by Judit (Blanca Portillo) and her son Diego (Navas). Interesting and agreeable drama by Almodovar plenty of passions, love, death, twists and great performances. The picture was competently directed by Pedro Almodovar in his usual style, being produced by his brother Agustin Almodovar and their production company, El Deseo. Reviewed by ma-cortes 7 / 10 Enjoyable and good Almodovar melodrama with nice acting from main and support cast Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. Passion, obsession, wealth, jealousy, family, guilt, and creativity.